Karis (Nicole Oliver) is a clothing store owner who picks up a handsome music executive, Lars (Christopher Shyer), in a bar and immediately engages him in some very hot sex that leads to an ongoing physical relationship. One morning Lars encounters Morgan (Rob Lee) in Karis' kitchen; Morgan is her future ex-husband and a policeman with a violent temper who begins a campaign of intimidation to make Lars stop seeing Karis. But wait: 30 minutes into the movie the point-of-view changes to Morgan's, and we see he's not such a bad guy after all and that Lars is the hot-tempered villain. But wait: 30 minutes later the point of view switches to Karis, and it turns out that she hasn't been completely honest about things. Whose story is the real one?

暂无剧情简介

暂无剧情简介

Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

"Alguien se acerca", "Viajeros", "Lilí" and "Azul celeste", four stories directed by Ramón Cervantes, Rafael Montero, Gerardo Lara and María Novaro, respectively.

Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.

After moving to Bogotá for a chance at a better life, a young Korean man rises through the Colombian black market — risking peril for a shot at success.

A true-life drama in the 1920s, centering on British explorer Col. Percy Fawcett, who discovered evidence of a previously unknown, advanced civilization in the Amazon and disappeared whilst searching for it.

The Magic City, by Director R. Malcolm Jones, is a motion picture based on hope and resilience played out in a coming of age story laced with sometimes insurmountable tragedies and exhilarating adventures. Characters Tiana, Nia and Amiya initially adversaries, forge a lifelong friendship through hope and adversity in one of Miami’s gritty and unforgiving neighborhoods, Liberty City.